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[man | goat] portrait by Dan McPharlin, by Igor Morski, ( minimalism:1.7) surreal, [style of Igor Morski, [ style by Rob Gonsalves | style by Dan McPharlin | style by Igor Morski | style by Andrzej Grenda | style by Agostino Arrivabene ], style by Fischinger, style by Hoyland] abstract expressionism , graphic art, blank
surreal, [style of Igor Morski, [ style by Rob Gonsalves | style by Dan McPharlin | style by Igor Morski | style by Andrzej Grenda | style by Agostino Arrivabene ], style by Fischinger, style by Hoyland] abstract expressionism , minimalist, suprematism, by Daido Moriyama, by Gerd Arntz (minimalism:1.7) surreal, [style of Igor Morski, [ style by Rob Gonsalves | style by Dan McPharlin | style by Igor Morski | style by Andrzej Grenda | style by Agostino Arrivabene ], style by Fischinger, style by Hoyland] abstract expressionism, graphic art, blank, abstract, Bauhaus, Suprematism
( minimalism:1.7) surreal, [style of Igor Morski, [ style by Rob Gonsalves | style by Dan McPharlin | style by Igor Morski | style by Andrzej Grenda | style by Agostino Arrivabene ], style by Fischinger, style by Hoyland] abstract expressionism, graphic art, blank minimalist , suprematism, by Daido Moriyama, , by Gerd Arntz ( minimalism:1.7) surreal, [style of Igor Morski, [ style by Rob Gonsalves | style by Dan McPharlin | style by Igor Morski | style by Andrzej Grenda | style by Agostino Arrivabene ], style by Fischinger, style by Hoyland] abstract expressionism, graphic art, blank, abstract, Bauhaus, Suprematism BREAK surreal, Dada, space art low angle view
surreal abstract modern art (minimalist:1.8) [Christie Brinkley| Grace Kelly| Charlize Theron] sophisticated lady, intelligent, sweet beautiful sweet, innocent, fierce, sophisticated, savage, beautiful young woman, hot day, low angle view, by Richard S. Johnson, upskirtk, by Garmash, by Andre Kohn, by Victor Passmore, by SamToft [by Sam Toft | by Victor Pasmore] [Lissitizky|Miro|calder|Malevich|Kandinsky] geometric abstract, (minimalist:1.9), style of Andre Kohn by Sam Toft, naked sophisticated woman [Lissitizky|Miro|calder|Malevich|Kandinsky] style of Martiros Saryan [by Sam Toft | by Victor Pasmore] geometric abstract, (minimalist:1.9), style of Andre Kohn, style of Martiros Saryan [by Sam Toft | by Victor Pasmore] (abstract:1.5), irish young woman, [style of Pete Turner | style of Nikolay Makovsky] by Amiet, by Craigie Aitchison, geometric, expressionism, joy, fear Space Art, style of George Birrell, style of Andre Kohn, by Chesley Bonestell, landscape on alternate reality
In the forest, there is a gold toilet, and several well-built individuals are studying how to use it.
Messy, pencil sketch color illustration: 4 silhouetted figures—2 male, 2 female—stand in a lush meadow at golden hour. 3 ethereal, winged dobermans sit beside them. Facing away from the viewer. Speech bubbles float above: "We still talk about you" (human), "We know" (dog). Nostalgic atmosphere, convey wistful longing.
A symmetric portrait of a female, evil frozen necromancer, features dissolving into frozen magic thin, luminescent blue lines. Weighted Voronoi stippling and laser caustics create a network, transitioning from hyperrealistic detail to abstract, quantum-inspired forms. Ethereal hues blend, evoking existential transition and mystery. Close-up on face, evil skull partially visible. Set against a twilight arctic backdrop, icy winds ripple through his tattered robes. Rendered in a fusion of photorealism and digital surrealism, the scene is illuminated by ghostly Northern Lights. Emphasis on cold, menacing atmosphere, invoking Nordic myths.
(medium shot:1.5), surrealistic, (bokeh:1.1), dof, awe-inspiring, majestic, overwhelming, humanoid polar bear wearing (red coca-cola-military:1.1) metal sci-fi bulky (mecha armor:1.3) and sunglasses with (red beret:1.05) is holding a big (white rifle:1.35), harsh shadows, (sun rays:1.1)
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the low front of the bus, resembling the Rolling Stones logo, with headlights as eyes, giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'PENNY LANE' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front bumper of the bus, resembling the rolling stones logo, with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'PENNY LANE' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, resembling a face with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'PENNY LANE' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, resembling a face with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'PENNY LANE' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, resembling a face with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'ISUEP SIP 135' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, resembling a face with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'ISUEP SIP 135' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, resembling a face with headlights as eyes and giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'ISUEP SIP 135' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Surreal and whimsical image featuring a vintage bus parked at a bus station. The bus has a cream-colored exterior with a slightly weathered look, and the number '1903' is displayed on the front. The most striking feature is the large, exaggerated set of lips and teeth superimposed on the front of the bus, giving it a cartoonish and humorous appearance. The bus station has a covered area with a high roof, and there are other buses and motorcycles visible in the background. The bus destination sign reads 'ISUEP SIP 135' in white text on a black background. The overall scene is bright and clear, with a blue sky and some clouds visible.
Real-life photography, wide shot: In the forest, there is a wooden cabin selling alcohol, and a dressed zombie comes to buy some. Next to the cabin, there are tables and chairs, with zombies sitting and drinking. A female barbarian is selling the alcohol.
Real-life photography, long shot: In the forest, there is a wooden cabin where a female barbarian resembling a magical girl is selling alcohol, and a dressed zombie comes to buy some. Next to the cabin, there are a table and two chairs, with a zombie wearing a hat sitting and drinking.
Giant perfect smooth gold sphere with a fiber texture floats in the sky with a giant flame underneath to elevate the sphere like a hot air balloon, drifting over vintage Paris in the style of the Universal Exhibition of 1900, retro-futuristic aesthetic. Giant waves flood the city as a knight of the apocalypse rides a silver mechanical horse with silver armor, emerging proudly from the Seine, galloping and slicing through the water, under a stormy sky, doomsday, apocalypse, steampunk, backlit, mist and fire embers perspective, pop rock fluorescent collage, sci-fi steampunk machinery, extra dust particle clouds, octane render, and paper art ink art Méliès, Jules Verne.
Young woman holding down an invisible object between her fingers. The woman looks realistic. The object is above her face.
Young woman holding an invisible object between her index finger and her thumb.
Young woman in front of an empty plate. The woman is looking down at the plate. The woman is holding a fork. The plate is on a table. There is a man (5 cm tall) on the plate. The man is wearing invisible clothes.
Young woman in front of an empty plate. The woman is looking down at the plate. The woman is holding a fork. The plate is on a table. There is a lilliputian on the plate.
Young woman in front of an empty plate. The woman is looking down at the plate. The woman is holding a fork. The plate is on a table. There is a shrunken man on the plate.

Related Tags

surrealism
minimalism
graphic art
abstract expressionism
Dan McPharlin
Bauhaus
graphic design
contemporary art
modern art
abstract
geometric
humor
art installation
luxury
nature
nostalgia
friendship
whimsy
memory
necromancer
fantasy art
Nordic mythology
digital art
humanoid
polar bear
mecha armor
environmentalism
vintage bus
whimsical art
cartoonish
Penny Lane
whimsical
art
bright imagery
fantasy
zombies
photography
retro-futurism
steampunk
vintage Paris
apocalypse
invisibility
emotions
introspection
imagination
curiosity
absurdity
emotional imagery
loneliness
existentialism
power dynamics
isolation
narrative